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Complete Book of Improvisation, Fills and Chord Progressions
Gail Smith |
Back to Piano

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This book was written to provide a methodology for improvisation on the piano. Patterns are analyzed in and notated in all keys. Examples are given to illustrate how and where a fill fits. Then, step by step you can learn how to add the left hand accompaniment based on a lead sheet, or improvise with the right hand. While improvising, patterns may be woven into a beautiful tapestry of sound. Just as a kaleidoscope creates beautiful colorful patterns before your eye, the patterns in this book will enable you to create a kaleidoscope of musical sounds for your ears. Most of the book consists of short examples using familiar tunes.
Sample Page and Contentents Below
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Table of Contents: Foreword
Chapter 1: Improvise with the Whole Tone Scale Examples The Water Fall Augmented Chords with Whole-Tone Scales
Chapter 2: Chords and Roman Numerals Every Chord in Every Key Dominant 7 - Tonic in Every Key
Chapter 3: The Scale Used as a Fill Every Major and Minor Scale Examples of Two-Beat Fills
Chapter 4: Chimes Harmonic Intervals Examples of Chimes
Chapter 5: The A B C's of Improvising A. Notes Remain the Same B. Notes Step C. Notes Skip
Chapter 6: Right-Hand Whole Measure Fills Examples of Whole Measure Fills Four-beat Fills in Every Key Three-beat Fills in Every Key
Chapter 7: Left-Hand Patterns in 3/4 Time Examples Amazing Grace Brahms Lullaby Patterns in 3/4 Time in Twelve Keys
Chapter 8: Left-Hand Patterns in 4/4 Time Examples Shenandoah Patterns in 4/4 Time in Twelve Keys
Chapter 9: Faster Left-Hand Patterns in 4/4 Time Examples Patterns in faster 4/4 Time in Twelve Keys
Chapter 10: Special Effects Broken Chords Chromatic Patterns Diminished Scales Secondary Sub-Dominant Chords Dominant and Sub-Dominant Arpeggios Major-Seven Chords Voiced Turnarounds Substitution Chords Dominant to Tonic using the Blues Scale Review
Chapter 11: Chord Progressions Right-Hand Add 9 Fill Chord Progressions in Twelve Major Keys Right-Hand Patterns in Twelve Keys Twelve-Bar Blues Patterns More Right-Hand Patterns in Twelve Keys
Chapter 12: Faster Right-Hand Riffs The Twelve-Bar Blues Progression (example) Twenty-four faster fills for the right hand
Chapter 13: Minor Chord Patterns and Progressions Chord Progression Improvisation Twenty-four Minor Right-Hand Patterns in Twelve Keys
Chapter 14: Improv with the Left-Hand (Fills for Roman Numeral Bass Progression) Four Chord Progressions Pachelbel's Canon as a progression O Come All Ye Faithful Left-Hand Patterns for basic chord progressions in 4/4 Time Left-Hand Patterns for basic chord progressions in 3/4 Time
Chapter 15: Fills for Both Hands Together
Chapter 16: Pseudo-modulations Pseudo-modulations in twelve keys
Chapter 17: Happy Endings Twelve Different Endings in Twelve Keys
Chapter 18: The "Two-Five-One" Progression The Cycle of Chords Review of Patterns Final Assignment |
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